It's That Time of Year Again...

In a few short days, the Haymarket will be transformed and filled again with the sights, smells and sounds of the Farmer’s Market.  It will start at 8 a.m. on Saturday, May 2 when the opening whistle blows.

As always, each year brings new vendors and produce to the Lincoln community. This prized Lincoln tradition has a strongly rooted history in our city’s past and present. To read more on those, check out my posts here for the history of the farmer’s market and here for where we are today!

For more information: http://lincolnhaymarket.org/events/farmers-market/

 

A Story of Redemption

A Story of Redemption

For the Christian Church, the Easter season evokes symbols of death, rebirth, and the promise of salvation. Every year, Christians celebrate Christ’s death and resurrection and what it stands for with the understanding that the death and resurrection of Christ mirrors their own “rebirth.” While the means and duration of spiritual rebirth can and do vary tremendously from person to person, the eventual result, a life evidencing the changes that come with knowing Christ, is the same. 

Be Happy: Jesus is Alive

As Christians, it’s okay for us to be happy.  In fact, we should be happy. 

Jesus is alive, He has conquered the grave, He has united us with Himself, and though in this world we will have trouble and tribulation, Jesus commands us to be of good cheer (to “take heart”), for He has overcome the world.

Why So Sad?

Within our stream of Christianity, there has been a bit of a reaction (a pendulum-swing, if you will) against the shallow, fake, overly-contrived emotional happiness of the contemporary church.  As with most pendulum swings, however, we’ve over-swung—rejecting the idea of that happiness has a place in the Christian life at all.

As Christians, we stand and affirm the truth that God is good.   We sing that “God is good… all of the time!”  We affirm and believe that Jesus died for our sins, that He reconciled us with God, that He rose from the grave, that we are united with Him in His resurrection, that He has ascended back to heaven, and is preparing a place for us.

We affirm and talk about and re-iterate that the gospel is “good news.”  And yet often times we don’t live as if we’ve heard any good news in weeks.

We worship without smiling.  We pray for change but not contentment.  We talk openly about our sin and our struggles but not our victory or our hope.  We pray for our needs, but don’t bask in His present provision.  We confess but we don’t adore.  We pray but we don’t praise.  

Wrestling for Contentment

It’s easy to be sad.  It’s easy to be discouraged and to point out everything that is wrong that needs to be fixed.  Being a critic or a cynic doesn't take much work.  We have to wrestle for contentment.  We have to wrestle for happiness.

This is a wrestling match that is worth winning.  

Such wrestling and striving doesn’t downplay how hard life can be.  It doesn’t downplay the brokenness and fallenness that we live in.  It doesn’t downplay suffering or pain or loss or depression.  And at the same time it doesn’t elevate happiness as the greatest good thereby negating any benefit that suffering has in this life.

Instead, it should lead us to understand what Paul meant when he said in 2 Corinthians 6:10 that we can be “sorrowful, yet always rejoicing… having nothing, yet possessing everything.”  In some ways, it’s a perspective change.  A change to seeing our lives the way God sees them.  Enveloped in His glorious grace; encapsulated within in His sovereign and glorious plan.

Happy

Beginning Easter Sunday morning and running for two weeks post-Easter, we'll be taking some time as a church to look at what it means to wrestle like this in a series we've titled, Happy: Wrestling for Contentment in Light of the Resurrection.

My prayer is that this series would be transformational corrective to our view of happiness as Christians.

"Sorry, We're Open."

From the street, patrons are greeted by a “Sorry We’re Open” sign, giving the initial down with the man, support local, live outdoors vibe. Upon entering, a neon pterodactyl is mounted behind the register while a vinyl Elvis hangs crying on the left. A lot of their decorations have been found at yard sales or picked up at thrift shops. Family members add their own vibe to the place with the one of a kind pieces they add to the walls and ceiling.

If you have spent any time around the Near South Neighborhood area, you probably have heard of Grateful Bread/Freakbeat Vegetarian. Grateful Bread is a cash/check only family run restaurant located in the Near South Neighborhood at 1625 South 17th Street.

This week, between bites of Cheese Scones and Moroccan Tomato Soup, I picked the brain of Cheyenne Flotree, front of house of this hip local joint.

What’s in a name?

Grateful Bread was the initial bakery started in 1992. Cheyenne’s explanation began with, “ Well, my mom was kind of a punk, and my dad was a hippie.” Cate Flotree sold baked goods with the help of her husband for several years. With the quippy name play reference, the Flotree parents sound like they were “Dead Heads” in their day. In 1998, the bakery moved into a brick and mortar storefront, adding macaroni and soup to the menu. It was during this time they also added Freakbeat Vegetarian to the name helping possible patrons understand the establishment offerings.

How is Grateful Bread/Freakbeat Vegetarian different than other local shops?

Cheyenne believes the café stands alone. While being completely vegetarian definitely sets the shop apart from others, Grateful Bread also has a different vibe than many local hot spots. The menu is inspired by southern soul food with influences from India and Morocco. Cate Flotree scours various recipes looking for inspiration for new menu items.

From the quirky décor to the daily menu change, Grateful Bread is definitely in it’s own league.  The menu and potential shop closing dates can be found on the shop’s facebook page:  https://www.facebook.com/pages/Grateful-BreadFreakbeat-Vegetarian/312793177888

Not sure what to try? The Lunch Room macaroni reminds me of homemade, but better. Moroccan Tomato Soup has the perfect amount of kick with a peanut undertone. Do not skip out on the baked goods! I always get a Classic Cheese Scone or cookie offered for the day.

Honestly, it’s all good. ☮ ✌

Near South's Goodhue Monument

This spring, Lincoln’s Near South Neighborhood Association will honor Bertram Goodhue, the architect of Nebraska’s State Capitol, with the construction of a monument at the intersection of Goodhue Boulevard and A Street. Funded by a $2,500 grant from NeighborWorks Lincoln, the monument, according to Association member Brayden McLaughlin, is intended to inform the public about the history of the area. “We’ve always kind of wanted sort of a marker at the end of Goodhue. It’s been kind of an entrance to the neighborhood that’s been overlooked,” McLaughlin told the Lincoln Journal Star last September. The monument will be constructed of a concrete base and will be topped with an engraved plaque containing information about Goodhue, the Capitol, and the surrounding Near South neighborhood. The Near South Neighborhood Association hopes to have the marker installed prior to the Near South Neighborhood Association's Parade of Homes on May 10th.

Despite the considerable honors of a monument and having a broad, grass-medianed boulevard named after him for his contribution to the city, Goodhue never actually saw his finished masterpiece. The notoriously prolific architect, who was known to keep lit cigarettes at several different work stations as he rapidly moved between them, died of a sudden heart attack in 1924 while half a continent away in his home city of New York. Despite having only broken ground on the Capitol in Lincoln just two years earlier, Goodhue’s plans were sufficient in detail for the project to push ahead unabated. In fact, Goodhue had been so prolific that his associates were able to continue working on the deceased architect’s projects for over a decade and a half until his firm finally closed in 1940.

The significance of the Nebraska Capitol and Goodhue’s role in creating it in many ways lies in the sharp contrasts offered by the building and its history. What would have been particularly apparent to observers at the time was the contrast between the opulent Capitol that was under construction and the persistent economic hardship that characterized life in the 1920s and 30s in Nebraska. Completed in 1932 during the height of the Great Depression, the structure, with its expensive limestone, gilded dome, and ornate mosaics and friezes, cost the much smaller state government of that time $9.8 million (roughly the same as Pinnacle Bank Arena when adjusted for inflation). Many in the American ag sector had at that point already endured an economic recession and sluggish recovery that had lasted over a decade following the end of World War I, and the catastrophic Dust Bowl was already starting to lap at the borders of the state at that time. But the building nonetheless seemed to find a kindred spirit in the Depression-fighting architect of the New Deal, Franklin Delano Roosevelt, when he stopped in Lincoln in the fall of 1936. Said Roosevelt, “I have seen – in fact all of the people of America have seen – photographs and illustrations of this wonderful Capitol building. . . . Every one of them ought to come here to see it in the light – a great and worthy structure, worthy of a great state.”

For Goodhue personally, the Capitol that Roosevelt had praised represented a significant contrast to his previous works as he shifted his architectural aesthetic toward the increasingly popular art deco looks that characterized the period. A quick glance at images of Goodhue’s previous projects like the West Point Cadet Chapel, the Rockefeller Chapel at the University of Chicago, and the grounds for the Panama-California Exposition of 1915, quickly reveals how dramatic of a break Goodhue’s design in Lincoln was from the more traditional appearances of his previous projects. The pioneering style of the Capitol represents Goodhue’s “seminal work,” said Bob Ripley, the building’s administrator.  “It will be the thing that will be his legacy in architecture for a very long time.”

Perhaps the most important contrast created by Goodhue’s new Capitol was the permanent change that he brought to the prairie skyline of eastern Nebraska. The Capitol in Lincoln would undoubtedly seem much more at home nestled among the skyscrapers of Goodhue’s native Manhattan than perched solitary and conspicuous above the flat, treeless plain that surrounds Lincoln. With the coming of the Capitol, Goodhue seemed to bring to Nebraska an implicit sense of vision and an apparent optimism that the state his project represented might one day grow to fit the monument he was building to it. Coming on the heels of recent national praise for the city’s growth and development, the City of Lincoln and the Near South Neighborhood Association hope to honor the man who helped give shape to that vision.

Photos provided by Tim Burge & Nebraska History Museum

Destinations Coffee House

Let me introduce you to one of my favorite places in all of Lincoln. Only coming in behind my cosy Cape Cod and my workplace, this is my third home. Everyone, meet Destinations.

At 14th and New Hampshire, this auto-shop-turned-coffee-shop holds more than espresso beans and hot, frothy milk. It's a unique place. Why, you ask? Well, it functions on a day-to-day basis through the care and service of volunteer baristas. Yes, you read that right. With only three paid staff members, the rest of the work is done by individuals who make your drinks out of the goodness of their heart. (They're also the ones who sweep the floor and clean the bathrooms. So obviously, they do it for the glamor.)

Now, why would a place like this exist? Why would young adults volunteer here, when they could be spending their time and energy elsewhere?

As a volunteer of nearly three years, let me explain the special bond that draws together people of varying backgrounds and unites them to the mission of Destinations.

After all, Jesus didn’t just hang out at the synagogue. He hung out at wells, and wells were the natural gathering places in ancient culture. One day it dawned on me that coffeehouses are postmodern wells. The only difference is that we draw shots of espresso instead of drawing water out of a well.

– The Circle Maker by Mark Batterson

Those of us who serve as volunteers - even as our group continues to shift with each year - have a desire to create a warm, welcoming, and encouraging environment for students. We want to provide an extension of God's love to those who walk through our doors. There's something about greeting someone with a smile, asking their name, acknowledging their uniqueness, asking about their major, then serving them a handcrafted beverage, that can hopefully add joy to their day. It's only a cup of coffee, but it may be the interaction of the volunteers that make them want to come back, knowing that they are loved here - even if they don't know why.

The hopeful ripple effect of what this induces in the lives of students is what keeps us washing the dishes and wiping the countertops. It's a slow process - "relational evangelism," if you will - but it is good and worthwhile.

Consider the stigma of someone walking into a church for the first time, fearing judgement. At Destinations, we can welcome people with God's love in a way that is different - for one, it's less scary, and, let's be honest, it probably has better coffee.

What You Need to Know:

  • We welcome everyone at Destinations, not just students!

  • We have weird hours, since we’re greatly run by volunteers:

    • Mon - Thur 7am-12pm, 6-11pm

    • Fri 7-12pm

    • Sun 6-11pm

    • On occasion, we’re open Friday nights for Destinations Live (yay, music!)

  • We have free parking, which is a sweet bonus.

  • We want to know you - come meet us!

Photos provided by Allea Grummert and Duncan C

Eat Well. Live Well. Be Well.

Eat Well. Live Well. Be Well.

 

That is the mantra of Maggie Pleskac, owner of Maggie’s Vegetarian Café located in the Lincoln Haymarket. Maggie is one of the founding members of Slowfood Nebraska. Maggie’s passion for organic eating was discovered when she was living in California. When she returned to Lincoln in the late 1990s, she decided to try to bring California’s fresh organic eating back to Lincoln, and in the process, support Nebraska producers. The result was the opening of her small restaurant in July 2000.

Upon entering the cafe, a sign reads, “Know your farmer. Know your food.” Maggie takes this to heart, utilizing products from local producers year round.  Some of her local sources include Jisa Farmstead, Dutch Girl Creamery, Branched Oak Farm, and Wise Oven Bread.

Food is never inert energy. Although we pluck it from earth or its mother plant, prepare it or cook it, food holds and irreplaceable and complex set of memories that inform the vital functions of the body, mind and spirit.
–Maya Tiwari

Although small in size, Maggie’s is mighty in flavor.  In September 2012, Food Network Magazine voted Maggie’s Avocado Melt Wrap, “The Best Sandwich in Nebraska.” After trying several of the wrap options, I have to agree with Food Network Magazine, the Avocado Melt Wrap is vegetarian heaven in your mouth. The wrap uses fresh avocado, Jisa Farmstead cheddar, provolone and mozzarella cheeses, roasted sunflower seeds, onion, fresh tomato, mixed greens, and house made Herb Mustard Dressing to create an experience unlike any other.

You can visit Maggie’s Monday through Saturday from 8am to 3pm. If you don’t get off work before 3pm, you can always find a few of Maggie’s wraps or baked goods served down the street at The Mill coffee shop.

“Food is never inert energy.  Although we pluck it from earth or its mother plant, prepare it or cook it, food holds and irreplaceable and complex set of memories that inform the vital functions of the body, mind and spirit.”  –Maya Tiwari

Photo by EpSos

Lincoln Exposed in Review

The following is a guest post by Andrew Stellmon. Andrew is a Team Member at Vinnie Krikac State Farm, and a frequent contributor to HearNebraska.org. Originally from Lee's Summit, MO, a suburb of Kansas City, he has lived in Lincoln since Fall 2007, when he began attending UNL. Andrew graduated in May 2011 with a Bachelor of Arts in both History and Sociology. Andrew has contributed to HearNebraska.org since April 2014, and what began as an outlet for his passion for music turned into a position as an editorial intern for the Fall 2014 semester, covering local and national music in concert and album reviews and artist-focused interviews. Andrew also loves movies, coffee, craft-beer, tries to find time to read, and is a rabid Kansas City sports fan.

Thoughts On Big Crowds, Bandleaders, and Genre Diversity

After 61 bands, four nights, three venues, and after one awesome local music fan base turned out in droves, Lincoln Exposed ended with a bang early Sunday morning.

It seems too neatly linear, and maybe a bit cliché, to say that Lincoln Exposed ramped up as the weekend progressed. It's still true in a lot of ways. Wednesday night opened with seven bands, and even with a bone-chilling freeze outside, drew a nice turnout.

After expanding to the full complement of venues - the Zoo Bar, Duffy’s Tavern, and The Bourbon Theater - for Thursday onward, the number of bands increased, as did the attendance.

Twenty bands played on Saturday, starting with Tupelo Springfield at 6pm at the Zoo Bar. The energy of Saturday itself intensified as the regular bar crowd showed (especially at Duffy’s, where it was at capacity for part of the night). The festival hit it's last crescendo with pop punk quartet Thirst Things First at 12:40am at Duffy’s to close the weekend.

Whew. What an awesome whirlwind of a weekend.

I helped cover Thursday’s festivities for Hear Nebraska, which is part of why I wasn't able to make it to every band. Visit these links for their comprehensive coverage of Lincoln Exposed Wednesday, Thursday, Friday, and Saturday. There was still plenty to digest from the weekend. I’ve listed my thoughts below, based on my favorite things that I saw, sought out, and experienced randomly.

  • I wrote a bit last week about how diverse, genre-wise, these billings were at first glance. For my money, that is when Lincoln Exposed, Lincoln Calling, or music festival is at its best: a wide variety of acts playing one after another on the same billing or throughout the same night. It gives musician and audience member a chance to sample something completely different from their particular musical tastes.

  • Lincoln Exposed delivered on this in spades each night, beginning right away with Wednesday’s billing. Soul/R&B trio Xion played first at the Zoo Bar. Their three-part vocal harmonies blended expertly together with VJ Herbert’s robust piano chords. It was nice to ease into the festival in this way, gently and with music that would probably be unlike anything else over the next few nights.

  • The crowds would be different for Orion Walsh and the Rambling Hearts later in the evening, and around the corner at Duffy’s. Folk act Jack Hotel played with indie bands blet and Oketo. It would be redundant to list every single example of this, but there are few highlights that help drive the point home: Thursday’s entire night at the Zoo Bar, from Root Marm Chicken Farm Jug band to avant garde electronic Omni Arms to prog-punk band Universe Contest; two country bands - Dylan Bloom Band and Emmett Bower Band preceding Laughing Falcon and Bogusman, two of the loudest rock/punk bands in Lincoln; and Saturday, where Americana (Gerardo Meza) and alt-rock (the Renfields) shared the stage with trumpet-accented garage rock (the Crayons).

  • Lincoln Exposed offers a unique opportunity to see not only a wide array of musical acts, but ones across the spectrum of experience. This year saw a number of rising young talents play alongside veteran Nebraska musicians, some of which were also testing new material.

  • I kept thinking all weekend about the idea of a “bandleader,” what that can mean, and how its embodied differently by different artists. There were plenty of candidates for emerging bandleaders: Stuart McKay of funk band Melon Company, who held together a tight brass ensemble and funky rhythm section; JP Davis, who led a mini-orchestra-sized band with droning lead vocals and subtle charm; Steven DeLair of Oketo, who shifted skillfully between cooing tenor and guttural screaming.

  • There were plenty of accomplished frontman as well, including Meza, backed on Saturday night by the new band he unveiled at Lincoln Calling in October. Evan Bartles and the Stoney Lonesomes played the Zoo Bar Friday, Bartles himself a strong, intense bandleader. Then there’s Mikey Elfers of the aforementioned Thirst Things First, who closed down the festival with pop punk explosion. He is that band’s “leader” insofar as he its lead singer. But he also plays Boot, the overlord-subject of their sci-fi backstory, in videos that play onstage. He also assembles and customizes each show beforehand, splicing Sonic the Hedgehog-style bleeps and bloops into the track of each show.

  • Speaking of that band: what one must have thought upon walking in on them for the first time if they had never seen or heard of them before. Its such a bizarre gimmick, even as its one of the most fleshed out concept bands around. That awkward feeling is blown away as soon as they begin, as it did on Saturday. Their sound is too infectious, which is why they draw some of the biggest crowds of any local band.

  • Two other crowd pleasers (and two of my favorites) played back to back nights at the Zoo Bar. Universe Contest played Thursday night as what has become an all-star lineup behind frontmen/guitarists Tim Carr and Joe Humpel. Festival-goers packed the room as beer cans flew into and past the band. With violin and Moog synth replacing atmospheric keys, they brought a punkier vibe to both their old songs and new material. Friday night overflowed again as garage punk foursome Halfwit played what will be its last show for a brief hiatus. The two bands share bassist Saber Blazek, whose presence brings precise, rhythmic notes and one of the most noted stage personalities for a non-frontperson. Unsurprisingly, the energy was in the stratosphere for both shows.

Lincoln Exposed can seem like a huge blur of memories, with ones that stick out like cottages dotting the countryside outside of a speeding train’s window. Whatever you remember, it's likely been demonstrated that the musicians, songwriters, and bands of Lincoln possess such creativity and talent. It's nice to see such support from fans. Art is an essential component of any city with a vibrant culture; Lincoln’s music scene is important in that regard. It remains strong and diverse, and Lincoln Exposed was yet more proof of that.

Love on the Run

The following is a guest post by David McGee. David is a native of Omaha, but has been in Lincoln for nearly 15 years and now calls it home. He is a recent graduate of the University of Nebraska at Omaha where he majored in Nonprofit Administration. David works for the State of Nebraska in the Purchasing Department and also covers University of Nebraska athletics for cornnation.com as a writer and photographer. He has been actively involved at Grace Chapel for nearly his entire time in Lincoln and during the spring and summer months spends many evenings playing in various recreational softball and volleyball leagues. He is also on Twitter at @dpm917. David talks mostly about sports so if that isn't your thing, you've been warned.

Love on the Run: Spreading the Love in Lincoln

This Saturday, February 7, join in on the love spreading! From 10:00am to 6:00pm, Porridge Papers will be hosting the 8th Annual Love On The Run Event. The event is open to everyone, so come early and enjoy! For more information, check out Love On The Run on Facebook.

Lincoln Exposed Preview

The following is a guest post by Andrew Stellmon. Andrew is a Team Member at Vinnie Krikac State Farm, and a frequent contributor to HearNebraska.org. Originally from Lee's Summit, MO, a suburb of Kansas City, he has lived in Lincoln since Fall 2007, when he began attending UNL. Andrew graduated in May 2011 with a Bachelor of Arts in both History and Sociology. Andrew has contributed to HearNebraska.org since April 2014, and what began as an outlet for his passion for music turned into a position as an editorial intern for the Fall 2014 semester, covering local and national music in concert and album reviews and artist-focused interviews. Andrew also loves movies, coffee, craft-beer, tries to find time to read, and is a rabid Kansas City sports fan.


Lincoln Exposed Preview

Whether you’re a diehard fan of local music, or you’re interested in becoming one, its no exaggeration to say that the upcoming weekend is one of the most exciting of the year.

Beginning tonight, and running through Saturday, more than 60 local bands and hundreds of fans will converge on downtown Lincoln for Lincoln Exposed. The tenth annual local music showcase will feature everything from Lincoln music veterans to bands breaking into the scene and looking to make their mark. 

The four night event stands apart from its autumnal counterpart, Lincoln Calling, in a lot of ways. This past October, as it has in previous years, Lincoln Calling mixed bands from across the state with touring acts on eight stages around downtown. A few of those bands were Lincoln regulars like The Kickback and Sidewalk Chalk, both from Chicago.

With Lincoln Exposed, the festival is confined to three venues in close proximity - The Zoo Bar, Duffy’s Tavern, and The Bourbon Theatre - and will feature only bands which have Lincoln origins or close ties. The lineups are diverse in term of genre; if a festival-goer chose to remain at just one venue each night, they might hear a jug band, electronic rock, and progressive rock all on the same stage. However, the schedule is staggered, with a band starting every 20 minutes. With enough planning and hustle, the same patron could see every single act of the weekend.

The festival is important locally on a number of levels. Not only does genre diversity echo the wide variety of talent that resides in Lincoln and the rest of the state, its a celebration of the city's vibrant music scene. The fact that it happens to coincide with First Friday is an excellent reason to catch both art exhibit and rock show, but also speaks to the strength of the arts and culture in Lincoln. Simply put, it's an opportunity to enjoy the wealth of musical talent Lincoln has to offer.

In overwhelming anticipation, I have poured through the schedule (which you can find here) an unreasonable amount of times. I have noted some of the bands and scheduling quirks that peaked my interest, plus I have included some links to help us brush up:

  • Wednesday, the Bourbon is hosting a different event, so the action is confined to The Zoo Bar and Duffy’s. Fast rising indie rock six-piece Oketo will close the night at Duffy’s. They released an EP in October 2014 and are gearing up for a midwest/west coast tour that will stretch from February through May.
  • Orion Walsh has often played as a solo act over the last few years. After returning home from cross-country touring and travels, he has lately performed with a full band, the Rambling Hearts. He will do so at the Zoo Bar Wednesday, adding a little kick to his Americana.
  • I mentioned the jug band/electronic/progressive rock billing? That would be Thursday night at the Zoo Bar, with Root Marm Chicken Farm Jug Band, Omni Arms, Powers, Red Cities, and Universe Contest. Aside from its identity crisis, there’s a lot to love about this lineup. Root Marm is undeniably quirky and fun roots music. Universe Contest is a scene favorite and, with a newly shuffled lineup, look to unveil new songs and shed the spacey electronic layer of their prog rock sound for a more punky edge. Watch for flying beer cans (from crowd to stage, a staple at UC shows), and any combination of costumes, glitter, and balloons.
  • A musician of note: Powers and Universe Contest share drummer Jordan Elfers, and he should be one of the most exciting to watch all weekend. In fact, you can also catch him late Saturday night playing for pop punk band Thirst Things First.
  • Friday night at the Bourbon features Tie These Hands and Once A Pawn, both of which have long been active in Lincoln. Sputnik Kaputnik, which released a double album in November, will play in between them. As will Bud Heavy & the High Lifes, who I saw for the first time in October for Lincoln Calling (their set is reviewed as part of this coverage from Hear Nebraska). Bud Heavy plays punk infused folk rock at breakneck speeds, and will also engage in plenty of crowd interaction.
  • The Zoo Bar again looks to be the most diverse on Friday, traversing California garage rock, folk rock, and hard rock. Halfwit, which typically draws a large crowd, will close the night at the Zoo. The energy, dexterity, and myriad facial expressions of bassist Saber Blazek are alone worth hanging for the midnight start time. Hear Nebraska also reports that it will be the band’s last show for awhile, as they break to write and record (and as their Facebook page notes, enjoy “chillin’, frisbee, [and] band lunches.”)
  • That Hear Nebraska link above also features photos of sludge punk band Bogusman, which will perform at Duffy’s Friday as part of an extremely loud couple of hours. They have been playing around Lincoln and Omaha quite often as of late, and are starting to hit their stride (read a review of their November performance at Urban Outfitters here).
  • Saturday is jam packed; if I already didn’t wish I had a Time-Turner for the entire weekend, it would be great to have that night. If I had to highlight a few can’t-miss options: Gerardo Meza (for his beautiful songwriting and charismatic stage presence); The Crayons (for their primary-colored outfits and trumpeter David Tysdal hopping about the stage); The Renfields (for their sunny early 2000’s indie sound); A Ferocious Jungle Cat (for dance-inducing grooves); and the aforementioned Thirst Things First (for their energetic pop punk and accompanying video transmissions).
  • Lastly, note on the schedule that Wednesday and Thursday are ages 18+, and Friday and Saturday are 21+. All access passes are $20, but you can also pay by the night. Wednesday tickets are $5, Thursday tickets are $6, and both Friday and Saturday tickets are $8.

If it seems like I’m trying to sell you on this, you’re right! But it promises to be an entertaining weekend for any music lover. If it would be your first Lincoln Exposed, I am highly recommending it. If it’s your first ever foray into local music, I’m practically begging you to go (but only because you’d be doing yourself a favor, and because the idea of introducing more people to Lincoln music thoroughly excites me). Regardless, I look forward to seeing you there!